Marin Mazzie

 LCT: debut. Broadway: Bullets Over Broadway (Outer Critics Circle Award); Next To Normal; Enron; Kiss Me, Kate (OCC Award; Tony, Drama Desk, Olivier noms.); Ragtime (Tony, DD, OCC noms.); Passion (Tony nom.); Spamalot (also London); Man of La Mancha; Into the Woods; Big River. Off-Broadway:  Zorba, Kismet, Out of This World (Encores!); Carrie (DD nom.); The Vagina Monologues; The Trojan Women; And the World Goes ‘Round (also national tour). TV: “The Big C,” “Without a Trace,” “Still Standing,” “Sondheim! The Birthday Concert,” “Camelot,” “My Favorite Broadway,”  “Ring Them Bells! A Kander & Ebb Celebration.” Solo album: Make Your Own Kind of Music (Broadway Records). Marin holds an honorary doctorate and has a musical theatre scholarship in her name from her Alma Mater, Western Michigan University. @MarinMazzie        

LCT Blog Posts

  • Exit "The King," Exit Anna

    Exit "The King," Exit Anna

    THE KING AND I closes this Sunday, and I could not conclude my running account of the production without checking in with Marin Mazzie.