LCT: South Pacific (Tony Award; also, London, Australia); My Fair Lady (also London, National Tour), Oslo (Tony Award for Best Play; also London), The King and I (Tony Award for Best Revival of a Musical; also London, Tokyo), Awake and Sing! (Tony Award for Best Revival of a Play), Golden Boy, Joe Turner’s Come and Gone, The Light in the Piazza (all Tony Award nominations); Camelot; Intimate Apparel; Blood and Gifts; Women on the Verge of a Nervous Breakdown. Broadway: Pictures from Home, To Kill a Mockingbird (Tony nom; also, London, National Tour), Fiddler on the Roof (also National Tour), The Bridges of Madison County. Off-Broadway: Cymbeline (Callaway Award); Waste (Obie Award); Don Juan, Pericles (TFANA, BAM). Previously Artistic Director of Seattle's Intiman Theatre (2000-2009), Company Director for the Guthrie Theater and Associate Artistic Director at Hartford Stage. Founding member of SRO Productions with J.T. Rogers and Cambra Overend. Opera: Rigoletto (Berlin, Metropolitan Opera); Roméo et Juliette (Metropolitan Opera, Salzburg, Milan, Chicago); Faust (Baden Baden); Two Boys (ENO, Metropolitan Opera); Ilbarbiere di Siviglia (Baden Baden, Metropolitan Opera), Otello, Les Contes d'Hoffmann, Le Comte Ory, L'Elisir d'Amore (Metropolitan Opera); Mourning Becomes Electra (Seattle Opera, City Opera). Film: Oslo (Emmy Nomination; Critics Choice Award). Recently staged the arrival of Little Amal into New York at JFK Airport.
Andrew Burnap, Phillipa Soo, Jordan Donica, and Bartlett Sher share their excitement to bring CAMELOT to Lincoln Center Theater.
"This opera is a wonderful history piece, summoning up the conditions of love and work at a very particular era of 1905 in New York City."
The MY FAIR LADY design team gives you an inside look at the creative process behind reviving the beloved classic, now nominated for 10 Tony Awards! 💐
Incontrovertible truth of dining out: round tables are more conducive to group conversation than rectangular ones.
How do you move a show from the Newhouse to the Beaumont? For answers, I watched an OSLO technical rehearsal this week.
"The longer I’ve worked on OSLO the more I’m convinced it is about the following question: how do you bring implacable foes together into a room and get them to communicate?"
Listen to a conversation with J.T. Rogers and Bartlett Sher, the author and director of OSLO.
THE KING AND I director Bartlett Sher talks about the show and how innovative Rodgers & Hammerstein were.
Listen to a conversation with Bartlett Sher and Christopher Gattelli
"My introduction to the problem that THE KING AND I poses came in college when I studied the relationship between traditional and modern cultures, particularly in regard to women. That theme is what drew me most to this piece."
Listen to a conversation with director Bartlett Sher and Walt Odets, son of author Clifford Odets.
Listen to a conversation with author J.T. Rogers and director Bartlett Sher.
Bartlett Sher, LCT Resident Director, on the magic of SOUTH PACIFIC.
Listen to a conversation with director Bartlett Sher.