Aaron Sorkin

LCT: South Pacific (Tony Award; also London, Australia); Intimate Apparel, My Fair Lady (also London, National Tour), Oslo (Tony Award for Best Play; also London), The King and I (also London, Tokyo), Golden Boy, Joe Turner’s Come and Gone, Awake and Sing!, The Light in the Piazza (Tony Award nominations); Blood and Gifts; Women on the Verge of a Nervous Breakdown. Broadway:, To Kill a Mockingbird (Tony nom; also London, National Tour), Fiddler on the Roof (also National Tour), The Bridges of Madison County. Off-Broadway: Cymbeline (Callaway Award); Waste (Obie Award); Don JuanPericles (TFANA, BAM). Previously Artistic Director of Seattle's Intiman Theatre (2000-2009), Company Director for the Guthrie Theater and Associate Artistic Director at Hartford Stage. Founding member of SRO Productions with JT Rogers and Cambra Overend. Opera: Rigoletto (Berlin, Metropolitan Opera); Roméo et Juliette (Metropolitan Opera, Salzburg, Milan, Chicago); Faust (Baden Baden); Two Boys (ENO, Metropolitan Opera); Il barbiere di Siviglia (Baden Baden, Metropolitan Opera), Otello, Les Contes d'HoffmannLe Comte OryL'Elisir d'Amore (Metropolitan Opera); Mourning Becomes Electra (Seattle Opera, City Opera). Film: Oslo (Emmy Nomination; Critics Choice Award). Recently staged the arrival of Little Amal into New York at JFK Airport. Currently on Broadway: Pictures from HomebySharr White.

LCT Blog Posts

  • CAMELOT in The New York Times

    CAMELOT in The New York Times

    CAMELOT was recently featured in The New York Times - read more about how Aaron Sorkin revised the Golden Age musical!

  • Reimagining CAMELOT

    Reimagining CAMELOT

    The cast and creative team talks about working with bookwriter Aaron Sorkin and reimagining CAMELOT.