Flying Over Sunset | EssaysHarry Goes Huxley Brendan Lemon | Feb. 21, 2020 “The joy of playing real people is that there’s so much material you can draw on.”
Intimate Apparel | EssaysRicky Ian Gordon: Crafting INTIMATE APPAREL Brendan Lemon | Feb. 12, 2020 “When I knew we would be doing the piece in a small theater, I decided not to focus on the piece as if it were a chamber opera.”
Intimate Apparel | EssaysSher Gets Intimate Brendan Lemon | Feb. 5, 2020 "This opera is a wonderful history piece, summoning up the conditions of love and work at a very particular era of 1905 in New York City."
The Headlands | EssaysThe Brooklyn Rail: Unraveling Realities with Christopher Chen Feb. 5, 2020 Tagged: LCT3 Read this interview with THE HEADLANDS author Christopher Chen in The Brooklyn Rail.
Flying Over Sunset | EssaysIt's Gonna be Quite a Trip! Brendan Lemon | Feb. 3, 2020 This is a musical about taking LSD in Hollywood in the 1950s, and tripping is definitely on the menu.
Flying Over Sunset | EssaysTom Kitt: The Music Over "Sunset" Brendan Lemon | Jan. 27, 2020 What comes first: the music or the words? “The answer changes with each collaboration,” Tom Kitt told me the other day.
Greater Clements | EssaysThe Many Maggies of Judith Ivey Brendan Lemon | Jan. 15, 2020 In GREATER CLEMENTS, the first complete sentence uttered by the character Maggie (played by Judith Ivey) begins, “No, I’m fine.”