Ted Sperling

LCT: The King and I, South Pacific, The Light in the Piazza (Tony, Drama Desk awards), A Man of No Importance, A New Brain, My Favorite Year. Broadway: Fiddler on the Roof, Guys and Dolls, Dirty Rotten Scoundrels, The Full Monty, Titanic (actor), Kiss of the Spider Woman, How to Succeed in Business Without Really Trying, Drood, Sunday in the Park with George. Off- Broadway: Red Eye of Love, The Other Josh Cohen, Striking 12, See What I Wanna See (director); Saturn Returns, Floyd Collins, Romance in Hard Times (music director). Artistic director, MasterVoices; principal conductor, Westchester Philharmonic; creative director of the 24 Hour Musicals. Selected concerts: Show Boat (NY Philharmonic); The Firebrand of Florence, The Grapes of Wrath, The Mikado, 27, The Road of Promise, Song of Norway, Knickerbocker Holiday, Dido and Aeneas, Babes in Toyland, Of Thee I Sing, Orfeo ed Euridice (MasterVoices); numerous programs at American Songbook, Lyrics and Lyricists. www.tedsperling.net

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  • The King and I  |  Essays

    Catching up with Ted Sperling

    Brendan Lemon  |  Jan. 16, 2015

    Rehearsals of “The King and I” don’t begin until January 29, so you will have to wait until then, or until performances begin on March 12, to learn from me complete specifics about the production. Ted Sperling, however, who is the music director for the staging, gave me an overall clue or two during a conversation the other day.